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the album will be a hybrid of the orchestral and synthetic ..

A Review of Evanescence's Orchestral "Synthesis" Arena Music

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Evanescence Announce 'Synthesis Live' Tour for Fall 2017

This is the second Stokowski "Symphonic Synthesis" ofTristan und Isolde. In April, 1932 Stokowski recorded withthe Philadelphia Orchestra excerpts from Tristan und Isolde Act II,concluding with the Love Music (Liebesnacht) from Act II. Reception to thisversion regretted the missing Liebestod from Act III. Then in his1935 recording of his second "Symphonic Synthesis"arrangement, Stokowski expanded the music from Acts 2 and 3, concluding thetranscription with a transition from the Act II music to the concluding finaleof the opera, the Liebestod in which Isolde sings over the body ofTristan. Stokowski retains the protagonist's interplay having cellos playTristan's music and violins play Isolde's music.

Before picking up Evanescence's 'Synthesis' album, check out our review.

This Tristan und Isolde Synthesis is a regular feature of Stokowski concerts. "Stokowski's "symphonic synthesis" consists of Wagner'sown concert version of the Prelude and Liebestod, interpolating betweenthem music of the Liebesnacht from the second act. His intention was notto create a suite, but an extended symphonic poem, with the several sectionsmoving seamlessly from one to the next, harmonically and thematically. Stokowskidid not alter Wagner's scoring but limited his input to replacing the vocal lineswith instruments, such as the cellos performing Tristan's lines at the startof Liebesnacht and the violins taking up Isolde's. At other times, Stokowskileaves Wagner's orchestral music alone, without the vocal lines, as Wagnerhimself had done in his own orchestral versions of scenes from hisoperas."

Synthesis (Evanescence album) - Wikipedia

Synthesis is the fourth studio album by American rock band Evanescence. It was released on November 10, 2017, by BMG Rights Management. The album includes reworked versions of the band's previous material with an orchestral arrangement and electronica music elements, in addition to two new songs, thus making it both a …

This Tristan und Isolde Synthesis is a regular feature of Stokowski concerts. "Stokowski's "symphonic synthesis" consists of Wagner'sown concert version of the Prelude and Liebestod, interpolating betweenthem music of the Liebesnacht from the second act. His intention was notto create a suite, but an extended symphonic poem, with the several sectionsmoving seamlessly from one to the next, harmonically and thematically. Stokowskidid not alter Wagner's scoring but limited his input to replacing the vocal lineswith instruments, such as the cellos performing Tristan's lines at the startof Liebesnacht and the violins taking up Isolde's. At other times, Stokowskileaves Wagner's orchestral music alone, without the vocal lines, as Wagnerhimself had done in his own orchestral versions of scenes from hisoperas."

Stokowski's "Second Symphonic Synthesis" of Tristan und Isolde: In April, 1932 Stokowski recorded with the Philadelphia Orchestra excerpts from Tristan und Isolde Act II, concluding with the Love Music (Liebesnacht) from Act II. Reception to this version regretted the missing Liebestod from Act III. Then in his 1935 recording of his second "Symphonic Synthesis" arrangement, Stokowski expanded the music from Acts 2 and 3, concluding the transcription with a transition from the Act II music to the concluding finale of the opera, the Liebestod in which Isolde sings over the body of Tristan. Stokowski retains the protagonist's interplay having cellos play Tristan's music and violins play Isolde's music.

Review: Evanescence's 'Synthesis' - Rolling Stone

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Evanescence will showcase their reimagined works on the 'Synthesis Live' tour coming this fall.
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    REVIEW: Evanescence goes full-on orchestral at Sands Bethlehem Event Center. But is it better?

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